Continuity: Season 2, episode 2, 'Kids': During the raging brush fire, the scoop stretcher is sent down the cliff to the paramedics in the canyon. Once Gage has it and then drags it towards DeSoto, the boxes and gear switch positions between shots.

Continuity: Season 1, episode 3, 'Botulism': When DeSoto and Gage arrive at Rampart their black helmets are not hanging in Squad 51, when they enter the hospital. A moment later, when they're dispatched, both helmets are hanging in their proper place behind the seat. The distance between the squad and ambulance has also increased.

Continuity: Season 2, episode 6, 'Saddled': When DeSoto joins Gage at the kitchen table they discuss Gage's bright idea of rodeos. In all the shots facing DeSoto his hands are clasped together with the coffee cup on the table, but in all the shots facing his partner, he's holding the cup of coffee. The magazine ends up under DeSoto's arms between shots as well.

Revealing: Across whole show: Squad 51 has a flashing light-bar mounted on the roof of the vehicle. There is about 4-5" of space between the length of the light frame and the roof, which means that Squad 51's surrounding environment is easily visible through that gap in normal shots. The hiccup here are certain close-ups of Gage and DeSoto while they're 'driving', because that gap is covered (with red to match the vehicle) and sometimes, when it's daylight, the gap is dark. The same thing happens with the space behind the cab unit (seen through the window), with the red blocking the opening.

Revealing: Season 3, episode 6, 'Snakebite': After Gage gets bitten by the Rattler, when the driver of Tractor 2 begins ascending the cliff, there is a nice close-up as he passes and this young stuntie is most certainly not the older driver seen in this scene. Not to mention the watchless driver suddenly acquires a black watch.

Continuity: Season 2, episode 5, 'Peace Pipe': When DeSoto and Gage arrive at the corner shop for the gum ball machine rescue, in the overhead shot the front end of the parked RV is beside the lamppost, but in the next shot half its body is past the fixture.

Continuity: Season 2, episode 5, 'Peace Pipe': Before being shot at, when Gage and DeSoto climb up to the scaffolding, Gage lifts the man's head to rest on the scaffolding and stays that way in each of the following close-ups, but in the following four wideshots his head still hangs over the side.

Continuity: Across whole show: On the front end of Squad 51's hood, the letters of the word 'DODGE' appear either in silver or in red, or sometimes it's not there altogether.

Continuity: Season 1, episode 10, 'Dilemma': Responding to the elevator call, in the overhead shot, Rescue Squad 51 pulls up adjacent to the street awning when Gage and DeSoto get out, but in the next ground shot the Squad is 20-25 feet farther down.

Continuity: Across whole show: In nearly every episode, it's amusing to note how the dark blue jackets that Gage and DeSoto wear suddenly appear and/or vanish and then reappear, numerous times, while en route in their squad. or when they pull into the stationhouse.

Continuity: Season 2, episode 5, 'Peace Pipe': When Kelly and Gage have at it about the portrayal of Native Americans in film, DeSoto quips, "What are you picking on me for?" as he faces Gage in front of him. Gage then walks to the other side of the table and after he says, "We call that white man royalty syndrome," he puts his arm around Kelly, standing beside him. We are then shown DeSoto's reaction shot, who still faces Gage in the same direction as his earlier quip, and we also see Kelly behind him, but no Gage.

Continuity: Season 1, episode 8, 'Publicity Hound': When John first explains how to rescue the little girl in the hole, he wraps his left hand around his right wrist, but in the next shot it's his right hand that's around his left wrist.

Continuity: Season 1, episode 4, 'Cook's Tour': At the station, when Gage and DeSoto are eating the meal DeSoto prepared, the sealed milk container is suddenly open and then sealed again, between shots. It changes position as well.

Continuity: Across whole show: In many of the interior shots of the paramedic cab, as it heads to the destinations, there is a rear view mirror on the windshield. In all the exterior shots there is no rear view mirror.

Continuity: Gage, DeSoto, and the crew are called to a serious truck/car fire accident scene, and are busy with putting the car fire out, while Gage helps DeSoto tend the wounded victims. The sky is overcast and cloudy, indicating rain possibly earlier in the day. This overcast remains during the hose-down. However, immediately after the fire is extinquished and both vehicles put out, the victims stabilized by ambulance, suddenly the day changes to bright sunlight and blue sky as Chief is calling in the OK.

Audio problem: Season 2, episode 15, 'Professor': At the site of the crashed plane, when the trapped pilot screams, "Help, I can't get out..., the doors are jammed," his mouth movements do not sync with the words we hear.

Continuity: Season 2, episode 10, 'Dinner Date': When the paramedics and the rest of the firemen gather round the failed pacemaker patient, their positions change and in DeSoto's close-ups the Captain isn't seen (for the camera angle's sake), although in other shots he's right beside Gage.

Deliberate "mistake": Season 1, episode 6, 'Dealer's Wild': At the stationhouse, Gage is washing dishes and talking about his idea for a new poker game. In this shot the camera is positioned behind the kitchen's top/lower cabinets and sink, facing Gage. We see the back side of the cabinetry and the paper towel dispenser, which hangs over the sink, is gone.

Continuity: Season 1, episode 6, 'Dealer's Wild': When Frankie lands the Cessna, the red seatbelt is in place behind him. When Gage and DeSoto reach the plane that seatbelt has been pulled across the side wall, over the door, with its end pushed between the windshield and ceiling. Done deliberately so Gage can enter that door unhindered.

Continuity: Season 1, episode 6, 'Dealer's Wild': When Engine 51 and Squad 51 are dispatched to the first call, both vehicles change their appearance from the first shot as they leave the firehouse, the shot en route, and when they reach their destination.