Continuity: Stallone is eating a banana when he is on the computer in the Mariott. He takes a bite and the banana is smaller, then in the next shot it is bigger again.

Continuity: When they're in the car, after collecting the money, Julianne Moore holds up the disk, and we can see she's holding the metal flap open, se we can see the actual disk. Then the camera cuts to the other side, and the cover's closed.

Continuity: After Banderas loses his rifle in the taxi, Stallone stops the car and then sees the cops. As he is reversing the car, it shows the front end of the car and both of them looking behind. You can see, however, two problems. Firstly the large cracks and bullet mark on the barrier window in the cab are completely gone and there seems to be large damage and cracking to the back window. When the shot changes to Banderas looking out the back, there are just a few drops of rain on the back window, and it's easy to see through. You can also see the cracks and bullet mark on the barrier window return.

Plot hole: For the transaction with the buyers, Moore sets up two hotel rooms: one where she will be based and the other for the buyers. She also goes about setting it up so that her toy truck can be navigated through the ventilation system, with a camera and having a private speaker system between them. Now when Banderas finds the room with the buyers he is unaware of where she is but knows she's close and checks the hotel's billing system on the television. On the TV the room number she registered with is shown. She went to all this effort to protect herself and yet registered the other room in her name and linked it with her room? Its not like she would have missed something so important because she would have needed to sign in when checking into the hotel. It seems to only serve the plot as Banderas relied on this information to find her and make his move to try and eliminate her.

Factual error: In the scene where Banderas is in the hotel room with the four dead guys, he realizes that Stallone is in the other room. When Banderas looks at the hotel TV screen, it displays the in-room guest service welcome page: "Welcome to Marriot's In-Room Guest Services". The hotel name is misspelled, while the spelling in the logo above it is correct.

Continuity: Near the end, when the Russian assassin (which "Robert" thought he killed years earlier) comes into the room, he sets the case down, takes off his sunglasses with his left hand and kicks "Miguel" to see if he's dead. Just before the kick, the camera changes angle and we see the sunglasses on the case instead of in the Russian's hand.

Audio problem: In the beginning of the film, Sly is on the computer telling his employers that the mark has been retired. If you listen to the keyboard strokes compared to what's typed on the screen, you'll notice that no sound is made for the space bar or the enter button.

Continuity: In the bank, Rath offers all his money to Bain to walk away. As he is saying, "But you won't do that way", he is gesturing with his left hand in the air. As Bain says "No", Rath's hand is still in the same position. Cut to a close-up of Rath, and he is suddenly holding his hands together, and folded in front of him. New angle change, and Rath's left hand is back to the first position, with his right hand resting on his chair. There was no time for him to move his hands between shots.

Continuity: When Rath and Bain are talking in the bank, Rath asks about Bain's sunglasses. In the close-up of Rath, he is holding his hands together in front of his face, right above left, with his right index and middle fingers on top of his left hand. Cut to a shot from behind him, and now his hands are suddenly folded, with fingers interlocking.

Revealing: When Bain is in the bath and communicating with his employer, you can see he is just punching random keys on the keyboard that do not match up with what he is supposedly writing. First, he writes "Nothing. I retired the buyers", but he never touches the "n" or "e" keys. A little later, he types "And", but his hand never comes near the "a" key.

Continuity: When Moore shows Stallone that she kept the original disc, she is holding the disc by the right end and you can see the magnetic film. The film is only possible to see if you push back the small metallic clip. The following shot her hand has moved to the left or bottom of the disc. After this shot, the following shot returns to the angle we saw before, but we can no longer see the film. This would only be possible if she had moved her hand and let go of the clip.

Continuity: When Antonio Banderas is waiting for Sly to come out of the bank, he takes a bullet off the holder on his forearm. Later, when he gets tired of waiting and gets up, the holder is full of bullets.

Factual error: The disk used to store the files may look like a standard 1.44Mb floppy, but it's actually an "Imation Superdisk", which could store 120mb. Regardless, the file sizes shown are still too large to fit onto it.

Continuity: When Rath and Elektra are in the car talking about the new price they'll put on the disc, just as Elektra says, "Sounds like a mid-life crisis to me", Rath's left arm comes into the foreground, being briefly rested on her seat before sliding off and down. Cut to a close-up of Rath's face, and he is suddenly touching his face with his left hand, with no time to move his hand between shots.

Continuity: When we see Electra for the first time she is in her kitchen drinking some coffee and drying her hair. Though it sounds like the hair-dryer is working on maximum power and it is only two inches from her head, her hair is not moving at all.