Continuity: When Jenny is lying on her bed doing crosswords you see the folded side of the crossword magazine is on the left side. When it cuts you see that the folded side has changed to the right side.

Continuity: When Becca gives Kate the remote control, she tries to switch the TV off, but holds the remote backwards. Kate holds the remote, also with a pen in her hand, but between several shots of her the pen continually disappears then appears in her hand.

Continuity: When Pamela and Jenny try to turn the television off, you see Jenny lying in bed while Pamela gets up heading for the television. In the next shot, you see them both running towards it side by side. Jenny could not have gotten up that fast to be running beside Pamela.

Continuity: When Becca and Kate run up to the TV and turn it off, to the left of the TV on the egde of the desk is a little white candle holder. But when Becca and Kate are play-fighting the candle holder's gone.

Continuity: When Pamela says "when the phone rings this really scary voice..." you can see that the way Jenny is looking at Pamela changes in the next shot.

Continuity: When Becca hits Katie with a cushion, she goes flying off of the bed to the floor. Between a wide shot and a closeup the angle Katie falls changes.

Continuity: When Pamela hits Jenny with the pillow you can see a basket or something lying on the floor on the right side of the television table. But when Jenny lands on the floor the basket is gone.

Continuity: When Pamela hits Jenny with a pillow you see a book on the desk in front of them. You also see a stack of paper beside it. When it cuts to Jenny getting the pillow thrown at her, the stack has decreased.

Continuity: When Pamela hits Jenny with a glass jar, Pamela picks it out of nowhere when she is lying in front of the desk. The jar was not by the desk earlier.

Continuity: When Pamela is stretching Jenny's panties you can see the way Pamela is holding the panties with her left hand change between the shots.

Continuity: When the two girls are hitting each other with random objects, you can see Pamela's underwear just above her skirt line, but in the next shot it is gone.

Continuity: When Pamela realises it is her mother on the phone Jenny is watching her with her mouth open and her head tipped to the left. When it cuts to the next shot, Jenny has her mouth closed and her head tipped to the right.

Continuity: When Pamela is on the phone you see Jenny standing beside her looking at her. When it cuts to Jenny turning away Jenny has suddenly her arms crossed.

Continuity: When Becca is fighting against the fridge door, beside the fridge is a paper-roll. Between shots the roll changes from having a sheet of paper hanging down, to the paper being rolled up properly.

Continuity: When Pamela enters the kitchen you can see the toaster isn't on (the button isn't pushed down and the lights aren't switched on). Suddenly, two slices of toast pop out, the button goes up and the lights are switched on.

Visible crew/equipment: When Pamela tries to close the refrigerator door you can see the reflection of the arm that pushes the door open in the window.

Continuity: When Pamela backs up to the refrigerator the toaster "blings". In the next shot she's further away from the refrigerator.

Continuity: When the toasts pop out of the toaster, suddenly a piece of toast appears on the microwave behind Pamela.

Continuity: When Pamela comes walking up the stairs she has three bits of curly hair hanging down. When it cuts to a wider shot only one bit of hair is hanging down.

Continuity: When Pamela walks up the stairs, you can see the wall on her right is free of paintings. In the next shot, however, paintings are on the wall.