Continuity: When Johnny Depp is axing the Headless Horseman's tree, he is covered in blood. The camera pans to the boy and Christina Ricci, and then back to Johnny Depp, and he is magically clean again.

Continuity: When Ichabod and young Mazbeth are in the shop looking for information and they find the boy's father's will, Ichabod's hair changes from a neat bob to really messy and scruffy three or four times each time the shot moves away from him then back again.

Continuity: Near the end of the movie, when Ichabod, Katrina and the young Masbath are in the windmill, they closed the door with flour bags. They put 4 in place, but in the shot later, there are only 3.

Continuity: We are told that the horseman's sword cauterises the wounds it makes. Earlier on in the film, however, the cuts cause squirts of blood to fly into the air, such as when the scarecrow is sprayed with blood.

Revealing: When the Headless Horseman is about to kiss Catrina's stepmother, you can see his actual teeth behind the filed ones. Christopher Walken's teeth are blacked out and their outline is visible against his tongue during the closeup of his face.

Continuity: In about the middle of the film where Ichabod Crane is writing doing process of elimination. He writes "Baltus" in cursive. Watch the tail of the "s" on "Baltus." One or two shots after that the "s" on "Baltus" is clearly different than the one we watched him write. The "l" in Baltus changes too.

Continuity: When Ichabod Crane and young Masbath are riding to the Tree of the Dead for the first time, watch the boy's horse carefully. The camera pans behind a tree and when it comes out from behind it, for a second you can only see Gunpowder's haunches (Gunpowder being the grey that Ichabod rides) and not the chesnut's. Very hard to spot if you are not watching carefully.

Continuity: In the flashback to the death of the headless horseman, when the horseman's steed gets shot and falls to the ground, the blood and the wound are on the right side of the horse...later in the scene when the horse is seen again, the wound is on the left side of the horse.

Continuity: When the little boy is playing with one those revolving lamps (that are supposed to cast shapes and such on the walls of a dark room), you can see that the light source for the lamp is a candle flame. Candles, as you know, aren't extremely bright, and they flicker. Yet, the images and shapes being cast on the wall behind the boy are extremely bright and never flicker once. They're also not much like the shapes cut in the lamp.

Continuity: At the church scene, the Horseman hauls a piece of fence through the church window and through Christina Ricci's father. After much screaming and amazement, the old man is ripped back through the window. However when he is torn from the church back out the window, the window breaks before he hits it. And wouldn't some of the window have broken when the spear was thrown through in the first place? We don't hear breaking glass or see any broken window panes.

Continuity: When that boy lights the spinning lamp that casts shapes on everything, we can clearly see the shapes on the wall behind him, but they never shine on him or his mother.

Revealing: When the whole town's in the church and Catrina's father gets the pole through his stomach, if you watch while he gets dragged through the graveyard, he hits a headstone and it moves back.

Continuity: Crane sprinkles a powder on the ground under the severed neck of Masbeth. Smoke comes up and he says something about a chemical reaction. Masbeth was running at full speed when killed, his body must have traveled at least his body length forward and maybe a few feet more, so there would be no blood under his neck as the Horseman decapitated him while he was standing and his blade cauterized all the neck tissue, veins and arteries.

Other: Near the end of the movie, Ichabod, Katrina and the young boy are in the old windmill when the horseman arrives. When the three good characters jump onto the moving sails Ichabod drops a lantern down to the floor setting the whole windmill on fire. He, the little boy and Katrina jump off the sail onto the ground and start running back to their carriage some yards away. A camera shot shows the top of the building explode and we see a very quick shot of the whole windmill exploding in flames, but Ichabod, Katrina and the little boy have disappeared. Two shots later they are still running to the carriage.

Continuity: When Catrina's father is being violently pulled out of the church window, the horseman drags him in to a fence where his head is stuck in the fence. If you look at the man whose head is caught at first, his head is not all the way sticking out of the fence. The next shot, it is.

Continuity: When Ichabod is chopping the tree of the dead, you can see that a few of the blood spurts are coming from straight across and not from below, where he is chopping.

Other: After the midwife's son lights the candles, watch closely, as the lamp revolves clockwise, you will see the cutout of the witch on the broom. It shows the witch facing to the right (counter-clockwise), which means that the projection would and should show the witch "flying" backwards.

Continuity: At the funeral of Johnathan Masbath, there are many shots between Ichabod, Brom and Katrina. There are a few people between Ichabod, Katrina, and Brom. When Ichabod looks over at the other two, the people are gone. Then when they show another overall view, the people are back.

Continuity: In the scene where Crane and the Headless Horseman are fighting atop the moving carriage, Crane shoots at the horseman, leaving a mark on the roof of the carriage. In the next shots, the mark is gone.

Revealing: If you look carefully, just before Catrina's father is being pulled away by the Horseman, just before he goes through the window, it's obvious that he's a dummy.