Continuity: When Indy and the Indian are entering the cave and clearing the cobwebs, you can see at least one spider on Indy's back. The next shot shows a clear, long shot of Indy's back with light reflecting on his jacket and no spiders. The next shot, the Indian notices the spiders.

Continuity: As Indy and Satipo enter the temple, When Indy says to Satipo "stop" he is holding the whip in his right hand, yet when Indy says "stay out of the light" the whip is in his left hand.

Continuity: Near the beginning of the movie where Indiana is running away from the tribe of South American Indians after Belloq robs Indiana of the gold statue, in one shot you can see that the Indians are only a few meters behind Indiana, but in the next shot, they are at least 50 meters behind.

Continuity: There's a shot of the plane at the beginning, taken from the front, looking down the length of the body, where there's no writing on the side.

Continuity: When Indy climbs onto the pontoon of the airplane from the lagoon in the opening sequence, he is obviously wet from swimming in the lagoon. However, in the next scene as he climbs further, his clothes are miraculously dry as observed by watching them blowing freely during take-off.

Continuity: When the government comes to see Indy at the University he is teaching, they enter the large room, I think it's a gymnasium. He puts the huge book on the table and one of the buckles comes undone. But when he goes to open the book to show the g-men a picture of the Ark he undoes both buckles.

Continuity: During the scene where Indy and Marcus are with the Army intelligence agents, watch the agent who is wearing the light blue suit - at the moment when Marcus refers to a secret chamber, the agent in the blue suit has his right hand resting on top the chair that he is sitting on, but in the next shot when he replies "secret chamber" his right hand is now on his face.

Continuity: When Indy is packing his suitcase to go to Nepal, he picks up a gun that is wrapped in a piece of cloth, he tosses the gun with his left hand into his right hand and begins to unwrap the gun from the cloth by raising his right hand, so that the gun will fall into his left hand, but the gun ends up falling into Indy's right hand instead of his left hand. Slow motion helps.

Factual error: During the travel to Nepal, "Thailand" is written on the map. The country has had this name only since 1939. This film takes place in 1936, when Thailand was called Siam.

Continuity: In the Himalayan bar scene when the sherpas leave, Marion starts to pick up the shot glasses and puts them on a tray - there's a large group left at one end of the table, one in the middle, and two by a bowl at the other end. When she returns for the rest, the two by the bowl have vanished.

Continuity: Before the shoot-out in Marion's bar, after the creepy Nazi asks her for the amulet, she's sitting alone at the table. She pulls the amulet out of her shirt, the chain still around her neck, and stares at it in the candlelight. The next moment the chain is not around her neck and she hangs the necklace onto the table centrepiece.

Continuity: In the market chase scene Marion is confronted by a guy with a knife. In some shots the sharp edge is facing upwards, in others it's downwards.

Continuity: In the scene where Indy is trying to stop the truck that is supposedly carrying Marion in a basket, Indy shoots the driver as the truck heads towards a "dead end". The driver's foot hits the accelerator and the next shot opens up to a big open space where the truck tips over and explodes. The "dead end" has disappeared.

Continuity: When Indy is running through the streets of Cairo looking for the men carrying Marion in a basket, the sweat stain on the back of his shirt shrinks and grows.

Visible crew/equipment: After Marion supposedly dies in the truck explosion and Indy is drinking outside at the bar, watch to the left of him. You can see a man wearing a modern t-shirt and jeans walking through the crowd.

Continuity: When Indy is deciphering the object with the old man, there is a telescope behind them. It changes orientation between shots.

Visible crew/equipment: When Indy and Sallah are deciphering the head piece there is a shot over Indy's shoulder. As he turns you can see the reflection of a fluorescent light in his glasses.

Continuity: In the scene where Indy is being lowered into the map room, the exterior shot of the opening does not match the interior. From the outside, the wall around the opening is a lot thicker. The angle is also different.

Continuity: When Indy goes to save Marion in the tent he removes the handkerchief gag. But when he decides to leave her there, he puts the gag back on and some of her hair gets caught underneath the gag on one close up shot from the left. But when the camera goes to the back of Indy, her hair is no longer caught underneath the gag.

Continuity: Sallah and Indy are peering into the well of souls. Sallah is to the right of Indy. Indy then drops the torch into the well, and when the camera comes back up, Sallah is on the left of Indy.